THE TALENTED MR ROSSET

Barney Rosset, legendary New York publisher, is the subject of Obscene, a documentary film released in the UK this week. View the trailer here, and read a New York Times feature here.

Though Rosset relinquished Grove Press some years ago, he is still Editor in Chief of the Evergreen Review, which made its first appearance in 1957. The magazine now publishes most of its content online, and there are several short stories by new writers in the current issue.

INTRUDERS IN THE DUST

The latest New Yorker fiction offering is from a veteran of the magazine, Steven Millhauser. 'The Invasion from Outer Space' is a witty exploration of what occurs when our most deep-seated fears are made manifest, when events of which we have dreamed or which we have only experienced through books and films become reality.

The imagery of 9/11 was so disturbingly familiar from popular culture that it has become difficult to revisit the cliches of the disaster movie, for example, without evoking that day. Millhauser turns this phenomenon on its head by taking as his subject a version of The War of the Worlds in which the long-dreaded alien encounter turns out to be a bit of an anti-climax. The narrator wants 'terror and ecstacy', but all he gets is a coating of yellow dust.

It's a tribute to the author's sensitivity and sense of humour that the story itself doesn't disappoint, and, unlike the extraterrestrial visitation, at just over 1500 words it doesn't outstay its welcome either.

Steven Millhauser's most recent collection is called Dangerous Laughter.

VENICE OR LAS VEGAS

A welcome online fiction showcase has been launched by Harper Perennial, as reported by 3:AM. Curated by Cal Morgan, Fifty-Two Stories will publish new work every week this year by both established and emerging writers of the form.

The series got off to an auspicious start with its first offering. Simon Van Booy's 'The Missing Statues' has a classic storytelling set-up: two strangers meet and fall into conversation about events from another time and place that are somehow connected to the here and now. One of them tries to comfort the other, saying: “I simply want to know why a missing statue has reduced a young American businessman to tears.”

Like the statues of the title, everything in the story is at one remove from reality: the narrator speaks of Venice, but only as it is reimagined in Las Vegas. His tale involves a man who pretends to be an Italian gondolier, mimes the voice of Enrico Caruso and recognises his own daughter in a woman whose small child he befriends.

British-born Van Booy's writing is highly coloured and romantic, but manages to skirt sentimentality. There is real feeling behind these facades, these masks and wishful imaginings.

The story is taken from a forthcoming collection called Love Begins in Winter, which is published in the US in May, and in the UK in November. It should be worth investigating, as should the rest of Cal Morgan's choices for Fifty-Two Stories this year.

F SCOTT HOT IN HOLLYWOOD

The Roving Editor started life blogging about the links between literature and movies under the title The Word on Film. It seems appropriate to return to this relatively unexplored zone via Zoetrope All-Story, the literary magazine published by Francis Ford Coppola.

This time last year we knew of two forthcoming films based on F Scott Fitzgerald stories, The Curious Case of Benjamin Buttton and Pat Hobby. Here is screenwriter Eric Roth in the current issue of Zoetrope on adapting Benjamin Button. The magazine also carries the story itself, though it's not available to read online. It was originally published in the collection Tales of the Jazz Age.

Meanwhile the only update on Pat Hobby is that it is being lined up for production this year; the film company's synopsis reads: 'Fitzgerald’s beloved hack fights for a writer’s buck in the Hollywood studio system.'

The author himself was no stranger to penury, of course, but these days he'd have found it a lot less difficult to make a beautiful dollar in Tinseltown: as well as the aforementioned adaptations, there is also news of yet another remake of The Great Gatsby, this time by Baz Luhrmann. However Variety has this cautionary tale of the mixed artistic and box-office fortunes of F Scott on screen.

Francis Coppola should be watching all of this with especial interest: he wrote the screenplay for the faithful but unloved 1974 adaptation of Gatsby.

ONE TO WATCH IN 2009

Among a handful of literary names on the Observer's 'hotlist' for 2009 is the young New Zealander Eleanor Catton. From what I have seen of her work, the interest is entirely justified. 'The Outing' has the mingled humour and menace of a Hitchcock movie in miniature, while 'Necropolis' is a beautifully observed depiction of a dead-end job. It's no surprise to see that the author is a fan of Muriel Spark.

'The Outing' has apparently been reworked as a scene in Catton's debut novel The Rehearsal. According to the Observer this is due to be published by Granta in the UK in July, though this edition is not currently listed on Amazon, and the publisher does not appear to have a website at present. More details when we have them.

THE BEST STORY OF THE YEAR?

BookFox's choices for best short story collections of 2008 include a number of books that were featured on The Roving Editor. It is especially gratifying to see Glen Pourciau's Invite on the list, as this a strong debut from one of the most interesting new writers to emerge this year.

Donald Ray Pollock has attracted more coverage than Glen, but he deserves all the praise he has received. The challenge for him now will be to produce a worthy follow-up to Knockemstiff. Nam Le's debut collection, The Boat, and Jhumpa Lahiri's Unaccustomed Earth are also excellent choices.

One story I managed to overlook on its appearance in the New Yorker in September was 'The Noble Truths of Suffering' by Aleksandar Hemon. Set in Sarajevo, this is a darkly funny exploration of the writing life which shows how creativity can find inspiration in the midst of death, destruction and domesticity. I am grateful to another of our featured authors, Joshua Ferris, who has named it as 'the best story of the year' in Granta's year-end round-up.

I would welcome nominations from readers of their favourite writers of short fiction in 2008, or for names we should be looking out for in 2009. Judging by the interest I have had in my post on Wells Tower, I fully expect him to feature prominently in next year's literary lists.

'DON'T WORRY ABOUT ME'

Amos Oz is an another of those eminent living writers whose work I have only just sampled for the first time.

'Waiting', in this week's New Yorker, is a profound and powerfully atmospheric tale. Set in an almost deserted Israeli village on a sleepy Friday afternoon, it reads like an existential ghost story. The ghost in question is Benny's Avni's wife Nava, who has disappeared leaving only a note that says, 'Don't worry about me.' (That's a hell of a note to leave. If Raymond Carver had written the story, that's probably what it would have been called.)

Benny, head of the District Council and pillar of the community, doesn't so much wait for Nava as embark on a journey in search of a woman he has never really known. All the while he is shadowed by a stray dog, which appears to be showing him the way:

'He asked himself, Would it not be better to go straight home? After all, she might have returned and was perhaps resting, puzzled by his absence, maybe even worried about him. But the thought of the empty house terrified him, and he went on, limping, following the dog, who never looked back, his muzzle lowered as if sniffing the way.'

I was reminded of the mundane, yet menacing terrain of John Cheever's 'The Swimmer'. In Oz's story, Benny's wanderings take him to a bomb shelter and the school where his wife teaches: 'The school’s metal gates were already locked for the Sabbath. Both the building and the playground were surrounded by an iron fence topped with barbed wire.'

I don't know if 'Waiting' is from a forthcoming collection, but there is at least one volume of Amos Oz's stories in print, which I look forward to investigating further.